Trial and error mixing ends here. You stop hunting for the setting you think you're missing, and you become the engineer people pay good money to send their songs to. One of your songs, mixed start to finish in Pro Tools with the plugins you already own, then broken down decision by decision until you can rebuild it yourself.
Four clients a month. Applying doesn't commit you to anything.
Redimi2
Blanca
Christine D’Clario
Dr Tumi
This is a real Mixing Discipleship student's track. Not a polished demo, not a marketing mix. Their own mix, then mine, same song and the same tools.
Same song. Same tools. Better decisions, every time. That is the whole product.
You have watched the tutorials. You own good plugins. Your mixes are competent, and they still don't sit next to the records you love. Courses can't tell you why, because courses can't hear your song.
This changes things even if…
You're completely self-taught and it feels like stitching together a broken puzzle. Missing pieces, random advice, no real roadmap.
Every time you put your mix next to a pro's, something is missing. The punch, the clarity, the confidence, and you can't work out what.
Your mixes come out flat, muddy or lifeless, short of a tight low end, a focused vocal, and impact that actually moves people.
You've watched every tutorial there is, and the more you learn the more lost you feel. Drowning in content, starving for clarity.
You second-guess everything, so what should take hours drags into weeks. Or never gets finished at all.
You struggle to attract serious clients, because somewhere underneath you know your mixes don't sound professional enough yet.
You're discouraged. You measure yourself against better-equipped rooms and more experienced engineers and wonder if you will ever catch up.
This is where that changes. You bring the heart. I'll mix your song, show you how it works, walk with you through the rebuild, and coach you until your mix stands on its own.
I mix your track in Pro Tools using your plugins, so nothing I show you depends on gear you don't have, and you watch the whole thing happen on camera. Where a job is long and repetitive, cleaning up every tom fill on a record, I show you the move, why it works, and enough passes for it to become yours, instead of filming the fortieth one. Then you rebuild the mix yourself while I give you feedback on what you built.
Four clients a month. The cap is there so the four people in it get my full attention instead of a place in a queue. It's a real limit rather than a countdown timer. When a month fills, the next application starts the following one.
Mixed by me, in your plugins, in Pro Tools. Yours to release.
Step by step walkthroughs so you can rebuild the same mix in your own room.
Live coaching, a critique of the version you build, and direct feedback along the way.
After a Mixing Discipleship session
“It was night and day different. Night and day. It was huge.”
Lucas. Produce Perform, worship music production.
7,800 subscribers.
"I hired David to create a custom mix and walk me through it, and I couldn't be happier. Watching him break down the mix step-by-step, using the exact tools I already own, gave me more clarity and confidence than any course I've taken. The video breakdowns were next-level, and the personal feedback I received as I built my own version of the mix made all the difference. If you want hands-on mentorship from someone who actually cares about your growth, David's your guy."
"I finally know what to listen for now. I get it. I hear it. And more importantly, I know what to do."
"Working with David has been a total game-changer. He didn't just teach me how to mix better, he stepped into my world, mixed my song, and then helped me build that sound into my own system. The clarity, depth, and emotion I'm getting in my mixes now? I've never been more confident."
"As a pastor, I've always cared deeply about the message, but with David's help, now our sound carries that same level of excellence and impact. He didn't just mix one of our worship songs, he brought our vision to life. What amazed me most is that we're now achieving mixes that rival churches with much bigger budgets and far more gear."
"I've spent time at Full Sail, worked alongside other engineers, and logged countless hours in multi-million dollar studios, but my biggest breakthroughs came from watching David mix. Something about his workflow just made everything click. It wasn't just inspiring, it was transformational."
"After going through David's tutorials, I landed my first paid mixing clients. I spent 2 years in audio school and 4 more at OSU studying recording engineering, but I learned more from just one of David's courses than all six years combined. The way he explains things just makes sense. It gave me the confidence to finally start charging for my work."
“As the former lead singer of the Newsboys, I’ve had the privilege of working with some of the industry’s finest engineers and studio professionals. Without a doubt, David Glenn stands out as one of the best.”
“His technical expertise, creative vision, and unwavering dedication to excellence made recording my new album an absolute pleasure. David has an incredible ability to bring out the best in an artist, elevating every aspect of the music. I can’t wait to work with him again on my next project. If you’re looking for an exceptional engineer, I strongly encourage you to work with David. He is absolutely brilliant!”
“David Glenn is hands down the most talented engineer I’ve ever worked with. His attention to detail is unmatched, delivering a clear, polished, and professional sound that makes your music stand out.”
“Beyond just mixing, David has an incredible ability to shape a song, crafting the hooks and dynamics that keep listeners fully engaged from start to finish. He doesn’t just mix music; he brings it to life. If you’re looking for an engineer who truly understands how to elevate your sound, give Dave a shot. You’ll be glad you did!”
“David has been instrumental in the success of my music over the years. As a renowned gospel artist, I’ve had the privilege of working closely with him on mixing and mastering my albums, and his professionalism, talent, and dedication are simply unmatched.”
“His expertise in audio engineering is extraordinary. He has an incredible ability to bring out the best in every track, elevating the nuances of the music and crafting a sound that truly connects with listeners. The meticulous way he approaches each mix, with unwavering attention to detail, is a testament to his passion for his craft. Working with David has been an absolute game-changer for my music.”
Asked on the Made It In Music podcast to name one YouTube channel for mixing
“There’s this guy, David Glenn. His stuff sounds really good. He’s one guy where it’s like, oh, this sounds good immediately.”
Doug Weier. 3x Grammy nominated. 21 Billboard #1 singles.
Chris Tomlin, MercyMe, Walker Hayes. ·
hear the episode
Everything that comes with it, and what each piece costs on its own. Real rates for real work, no inflated value math.
Together, it's not close to that.
or five payments of $647
Application first. You will see the full enrollment terms before you commit to anything, and you'll be talking to me rather than to a closer.
There is no booking grid and no sales team. The application tells me whether I can actually help you, and then I write to you myself.
A few questions about your song, your setup, and where you're stuck. Full enrollment details, including cost, are on the application before you commit to anything.
If it's a fit, you get an email from me. If it's not, I'll tell you that too, and point you at the thing that actually helps.
A short call, about fifteen minutes, so you can ask anything before deciding. You will be talking to me, not to a closer.
No. The application helps me understand your goals and see whether this is the right next step for you. Plenty of people apply and decide the timing is wrong, and that's a fine outcome.
$2,997, or five payments of $647. That includes lifetime access to the Control Room, which is $497 on its own. This is a premium one on one program rather than a course, and the number is on this page on purpose: I'd rather you decide with it in front of you than find it after you have applied.
I mix in Pro Tools, and the walkthroughs are recorded there. Engineers on other DAWs have done this and translated it, so tell me what you use on the application and I will be straight with you about how well it will carry over.
No. I mix your song with the plugins you already own, on purpose. If I showed you moves that depended on something you don't have, the breakdown would be useless to you.
It needs to be tracked and edited to the point where mixing is the next real step. If it's not there yet, say so on the application and I will tell you honestly whether to wait.
Plan on a few weeks from start to finish, depending on how fast you rebuild your version and how our schedules line up.
Tell me about your track and where it's falling short. If I can help, you'll hear from me directly.
Takes about three minutes. $2,997, or five payments of $647. Four clients a month.